Art Is Pretentious!

A young Croatian lad from Hell's Kitchen New York City with lotsa love for the past I've never lived.
fckyeaharthistory:

Unknown Artist (Japanese) - Performer in Bugaku-style Costume, 1880s. Albumen silver print
From the Metropolitan Museum of Art, NYC:

In the 1880s it was an almost obligatory practice among Japanese photographers to hand color both studio and landscape pictures. In Europe the practice of tinting photographs had fallen into disrepute, but because of the consummate skill of Japanese watercolorists, hand-colored albumen photographs became a minor art form of startling beauty in Japan. The process of tinting a photograph was incredibly tedious, and a master colorist could only be expected to produce two or three finished prints during a twelve-hour day. This photograph of a woman in a bugaku-style costume was probably produced for the tourist trade. Bugaku, a traditional form of Japanese court theater that dates back to the first millenium, was performed only by men. The photographer’s use of a female model suggests that he was concerned more with effect than with authenticity. 

fckyeaharthistory:

Unknown Artist (Japanese)Performer in Bugaku-style Costume, 1880s. Albumen silver print

From the Metropolitan Museum of Art, NYC:

In the 1880s it was an almost obligatory practice among Japanese photographers to hand color both studio and landscape pictures. In Europe the practice of tinting photographs had fallen into disrepute, but because of the consummate skill of Japanese watercolorists, hand-colored albumen photographs became a minor art form of startling beauty in Japan. The process of tinting a photograph was incredibly tedious, and a master colorist could only be expected to produce two or three finished prints during a twelve-hour day. 
This photograph of a woman in a bugaku-style costume was probably produced for the tourist trade. Bugaku, a traditional form of Japanese court theater that dates back to the first millenium, was performed only by men. The photographer’s use of a female model suggests that he was concerned more with effect than with authenticity. 

aweekofkindness:

Charles Meynier - The Earth receiving from the emperors Hadrian and Justinian the codex of Roman law dictated by Nature, Justice and Wisdom, 1803.

aweekofkindness:

Charles Meynier - The Earth receiving from the emperors Hadrian and Justinian the codex of Roman law dictated by Nature, Justice and Wisdom, 1803.

(via rhaegartargaryen)

mesbeauxarts:

Jean-Baptiste Regnault. L’Éducation d’Achille par le centaure Chiron. 1782.
Oil on canvas.
Musée du Louvre. Paris, France.

mesbeauxarts:

Jean-Baptiste Regnault. L’Éducation d’Achille par le centaure Chiron. 1782.

Oil on canvas.

Musée du Louvre. Paris, France.

(via rhaegartargaryen)